Magazine Recs 10 LGBTQ+ Movies with Women in the Lead, Directed by Women June 19, 2021June 19, 2021 Reviews We Are Lady Parts: An Unapologetically Joyful Comedy About Muslim Women in a Punk Band May 26, 2021May 26, 2021 Filmmaking Summer Spiro on Letting Go of Your Creative Insecurities May 24, 2021May 24, 2021 Interviews Roxy Shih on Finding Your Calling and Preserving the Magic of Filmmaking May 16, 2021 Filmmaking Top 5 Tips to Become a Successful Freelancer, Given to You By Successful Freelancer Nikki Petersen May 9, 2021 Opinions Hollywood & the Silencing of Women Over 40 | The Wise Man and the Crooked Hag May 5, 2021May 5, 2021 Reviews A Nihilistic Fresh Breath of Air — This is the Show You’ve Been Waiting For | Why Are You Like This Review April 30, 2021April 30, 2021 Interviews Filmmakers Jade Zaroff and Sarah Franco on Stories with Impact, Saving the Planet, and Self-aware Comedy April 23, 2021April 23, 2021 Opinions Women in Fantasy Aren’t Your Fantasies | A Critique of the Male Gaze in Sci-Fi and Fantasy Movies April 18, 2021April 18, 2021 Interviews Be the Change: Filmmaker Caris Rianne on the Male-Dominated Industry, Representation, and Her Film Festival ‘Women X’ April 16, 2021April 17, 2021 Recs March Wrap Up: New Indie Films, Saying Goodbye to Sitcoms, Women’s History Month, and more. March 31, 2021May 5, 2021 Interviews Helping Young Women Find Their Voice Through Filmmaking | Interview with Global Girl Media UK’s Sue Carpenter March 20, 2021March 20, 2021 podcast Women in Film Throughout History – Past and Present March 19, 2021March 20, 2021 Interviews An Ode to Resilience | Brooke Trantor on ED Recovery, Being Vulnerable, and Telling Personal Stories to Help Others March 8, 2021April 16, 2021 Opinions What’s in a Name? How One Simple Mistake in POC Characterization Can Affect the Representation as a Whole March 6, 2021 Reviews Finally, an Accurately Awkward Representation of Being 15 | Ginny & Georgia Review March 3, 2021 Interviews Endometriosis Awareness with Ipek Ensari and Camille Hollett-French February 27, 2021April 16, 2021 Interviews Self-Preservation Through Storytelling: Filmmaker Gretl Claggett Reflects on the Power of Art February 22, 2021April 16, 2021 Recs Representation in Romantic Movies – From Modern Classics to Hidden Gems February 18, 2021February 19, 2021 Interviews Six Years Later: How Director Chelsea Christer and Producer Erin Persley Made “Bleeding Audio” February 15, 2021April 16, 2021 Interviews Tia White on Cinema: “It is the closest we could get to sitting with our ancestors and having them tell us stories,” February 7, 2021April 16, 2021 Opinions Changing the Narrative: Mental Health Awareness in Film & Fiction | Statistics & Solutions February 6, 2021February 6, 2021 Recs 10 International Films Directed by Women that You Have to Watch February 6, 2021February 7, 2021 Opinions I Was Wrong: ‘Cuties’ Sexually Exploits Children. And No—The Context Does Not Matter. February 6, 2021 Opinions I May Destroy You and the Hazards of Online Echo Chambers February 6, 2021 Recs Review: ‘I May Destroy You’ and its Groundbreaking Conversation around Trauma and Assault February 6, 2021 Opinions DISCLOSURE, J.K. Rowling, & Why the Narrative of Violent Trans Women in Pop-Culture Has to Change February 5, 2021February 6, 2021 Recs 5 Exciting Movies Coming in 2021, Directed by Women February 5, 2021February 6, 2021 Reviews Review: WW84 is an Utterly Incoherent, Regressive, and Queerbaiting Disappointment February 5, 2021February 6, 2021 Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)
Reviews We Are Lady Parts: An Unapologetically Joyful Comedy About Muslim Women in a Punk Band May 26, 2021May 26, 2021
Filmmaking Top 5 Tips to Become a Successful Freelancer, Given to You By Successful Freelancer Nikki Petersen May 9, 2021
Opinions Hollywood & the Silencing of Women Over 40 | The Wise Man and the Crooked Hag May 5, 2021May 5, 2021
Reviews A Nihilistic Fresh Breath of Air — This is the Show You’ve Been Waiting For | Why Are You Like This Review April 30, 2021April 30, 2021
Interviews Filmmakers Jade Zaroff and Sarah Franco on Stories with Impact, Saving the Planet, and Self-aware Comedy April 23, 2021April 23, 2021
Opinions Women in Fantasy Aren’t Your Fantasies | A Critique of the Male Gaze in Sci-Fi and Fantasy Movies April 18, 2021April 18, 2021
Interviews Be the Change: Filmmaker Caris Rianne on the Male-Dominated Industry, Representation, and Her Film Festival ‘Women X’ April 16, 2021April 17, 2021
Recs March Wrap Up: New Indie Films, Saying Goodbye to Sitcoms, Women’s History Month, and more. March 31, 2021May 5, 2021
Interviews Helping Young Women Find Their Voice Through Filmmaking | Interview with Global Girl Media UK’s Sue Carpenter March 20, 2021March 20, 2021
Interviews An Ode to Resilience | Brooke Trantor on ED Recovery, Being Vulnerable, and Telling Personal Stories to Help Others March 8, 2021April 16, 2021
Opinions What’s in a Name? How One Simple Mistake in POC Characterization Can Affect the Representation as a Whole March 6, 2021
Reviews Finally, an Accurately Awkward Representation of Being 15 | Ginny & Georgia Review March 3, 2021
Interviews Endometriosis Awareness with Ipek Ensari and Camille Hollett-French February 27, 2021April 16, 2021
Interviews Self-Preservation Through Storytelling: Filmmaker Gretl Claggett Reflects on the Power of Art February 22, 2021April 16, 2021
Recs Representation in Romantic Movies – From Modern Classics to Hidden Gems February 18, 2021February 19, 2021
Interviews Six Years Later: How Director Chelsea Christer and Producer Erin Persley Made “Bleeding Audio” February 15, 2021April 16, 2021
Interviews Tia White on Cinema: “It is the closest we could get to sitting with our ancestors and having them tell us stories,” February 7, 2021April 16, 2021
Opinions Changing the Narrative: Mental Health Awareness in Film & Fiction | Statistics & Solutions February 6, 2021February 6, 2021
Recs 10 International Films Directed by Women that You Have to Watch February 6, 2021February 7, 2021
Opinions I Was Wrong: ‘Cuties’ Sexually Exploits Children. And No—The Context Does Not Matter. February 6, 2021
Recs Review: ‘I May Destroy You’ and its Groundbreaking Conversation around Trauma and Assault February 6, 2021
Opinions DISCLOSURE, J.K. Rowling, & Why the Narrative of Violent Trans Women in Pop-Culture Has to Change February 5, 2021February 6, 2021
Reviews Review: WW84 is an Utterly Incoherent, Regressive, and Queerbaiting Disappointment February 5, 2021February 6, 2021
